Three days of sketches.
Make your own.
Making long sentences.
Using the visual language of the photograph.
Pick up the camera in service to your desire to say something.
The camera is a box with a hole in it.
The only pointing that is categorically unhelpful is art pointing back to the tool of its creation.
The measure of your work.
Documenting beyond the edges of the map.
It pays to be intently interested in boring subjects.
We build upon what is already present.
Comparing camera sight to human sight.
Building blocks of the photograph.
Slow is smooth; smooth is fast.
Bring safety glasses.
The best story telling trusts the reader to discover the truth.
Work leads to more work.
Facts are often more unpredictable, dynamic, subtle, complex, intricate, baffling, unbelievable than fiction.
Do these and style will follow.